I’ve been thinking about the art that is being sold in response to the oil disaster. I see a lot of people organizing and selling their oil-related work, stating that a “portion, or all, of the proceeds are going to relief efforts”. Although I do think that this is a good idea, in spirit, I have some problems with the bigger picture of it.A lot of these artworks are being shipped across the country, and/or the world to reach the buyers…which uses oil. Lots and lots of oil products (gas, diesel, plastic, etc.) to ship a wee little piece of paper, or trinket…How does that stack up to the actual amount of money to be made from these sales? I suppose local efforts at doing these sorts of sales are not as bad. It really seems that these kind-hearted folks don’t see or understand the soft costs of shipping.Part two of my problem with this: why should it be up to private citizens to pay for damage done by a multi-billion dollar corporation? It isn’t. This isn’t a hurricane, this isn’t natural. Yes people are hurting. Yes a lot of things are going to be ruined for a very long time… yes people are owed money from loss of income. Yes animals are dying, dead or need to be cleaned. I can’t say that I think its wrong to donate to relief organizations, because it isn’t. I just wish it didn’t have to be that way. Thankfully there is the possibility that BP will pay for all of this mess with the Escrow fund. see:
Possible justice. I’ve got my fingers crossed for that.
As for the kind-hearted artists, what about digital downloads for those donation projects?
sometimes I feel guilty about polluting the internet with nonsense, but that doesn’t stop me. I’ve decided that when I have nothing to report to the blog, I will post a picture from my hard drive, at random. I like this image becaus it feels serene and chaotic, all at the same time.
Last night I had the joy of filming a performance by the group “Ivoire Spectacle” at the Roosevelt Hotel. They performed there as part of an African Studies conference in New Orleans. The juxtaposition of the African drumming, dancing and traditional costumes against the lavish, chandelier-ed, wallpapery, Greco-Roman-statue-ed, frou–frou carpeted backdrop of the Roosevelt was quite odd. I came in with that mindset, and that awareness stayed with me on and off throughout the performance, but the majority of the time I was completely lost in the music and dancing…completely forgot where we were…and magically transported to a place I’ve never been…the Ivory Coast. This group of talented performers is a true treasure. http://www.ivoirespectacle.com/index.php
*videos to come soon*
I’ve developed an 8-class series in “experimental filmmaking” and will be presenting it to kids from New Orleans’ 7th ward during june and july, through the Porch’s summer “arts alive” camp at the Colton School.
This will be my first time teaching filmmaking, and I’m quite excited.
The projects will all have an element of experimentation, because experimentation is fun (and because I’ll only be with the kids 75 minutes a day and also because this is the first time that some of these students have used digital cameras). The camera’s are pretty amazing..”aiptek HD camcorder/still/audio” they’re pretty easy to use, and come with remote controls & tri-pods. The video quality is amazing..1080p is comparable to film…they even have a pretty awesome macro function…way better than even my “expensive” sony digital SLR.
The projects are: claymation, stop-motion/incremental drawing (life cycles) stop-motion/found object animation and “paper-cutouts/visual storytelling”, “puppets” and “1 minutes”. since the cameras also have an audio-recording function and a mic input, they will also be working to create soundtracks. We’ll also be doing some analogue animation projects: thaumatropes and flipbooks (which are, by the way, my latest love check out the historical overview link…wow!)
I can’t wait to see and share what they create!
Look out Houma….ADHD art is squirreling it’s way through town…as I type!
November 8th…reception from 5-8.
Check out the article:
I’ve been busy getting my “foot in the door” of the amazing New Orleans art “scene” lately. My first official project is with the Studio at Colton School, where I’ll be turning a space in the old school building into a studio, assisting with grant-writing, and conducting a series of four filmmaking (with digital video) workshops. I’m beyond excited about getting the chance to meet and work with so many amazing artists, musicians, dancers, theatre-people and arts advocates. Check it out: http://www.cano-la.org