One of my thesis projects for graduate school invited an exploration in developing and articulating commitments to the design of learning environments. This reflective practice pushed me to look more closely at myself and how I exist alongside the learners in my context of Outschool. Guiding questions included- What do the children and families in my context need? What can I offer them? What does the larger system say the children “need”/ how does the environment that I create support or challenge this? What are the possibilities in our environment? How are children already engaging in our shared learning environment? Am I doing anything to inhibit or encourage their natural ways of engaging? How can I support empowered engagement in virtual learning contexts? I think this type of reflection is important for every educator in every type of learning context to visit at least once a year, if not more.
I plan to continue working as an educator in all-virtual environments for the foreseeable future and my commitments are written with this in mind.
I commit to designing adaptable environments that support a dynamic range of sensory perceptions informed by my ongoing observations around how the learners in my context learn best.
I commit to designing environments that support authentic reciprocal relationships between people, spaces, materials, technology and concepts.
I commit to designing culturally responsive virtual learning environments that are guided by aesthetic, sensorial, technological and relational considerations.
I commit to designing virtual learning environments that honor and include the home environments & hopes of parents for the learners in ways that are equitable and flexible.
I’ve always found joy in reading and writing, and for a long time I associated literacy only with reading and comprehending text. I think this is due to the way the concept of literacy was presented in my PK-12 school experience. In college I expanded my definition of literacy to include computer, design, digital media and visual literacy. This expansion happened as I engaged in decoding meaning in images & videos during explorations of art making, art history and art criticism in my Fine Arts training. When I began learning about Reggio-inspired education I further expanded my definition of literacy to include social-emotional, scientific and numerical literacy.
In my teaching practice I try to always consider the hundred languages of children, and adjust my ways of negotiating understanding accordingly. I see this as an evolving way of being, similar to what Paulo Freire states in regard to the role of the teacher, “a teacher is a professional, one who must constantly seek to improve and to develop certain qualities or virtues, which are not received but must be created. The capacity to renew ourselves everyday is very important.” I appreciate the way in which Freire’s views on teaching reading and writing align with this mindset as well, as he states “teaching kids to read and write should be an artistic event” and “reading is more than a technical event”.
Respecting the many ways that humans relate to each other and the world helps shape my image of the child as capable and competent. While this sometimes causes some dissonance, I’ve learned to release expectations that children (and adults) will fit into any one certain way of being or communicating. As Freire states, “Teachers should be conscious every day that they are coming to school to learn and not just to teach. This way we are not just teachers but teacher learners.”
Relatedly, I am committed to approaching my thinking and teaching about literacy in ways that are open and informed by what Gandini describes in Play and the Hundred Languages of Children: An Interview with Lella Gandini. American Journal of Play, “Literacy and play, indeed all learning and play, can go together. They really must go together; together they can and should be pleasurable and rewarding experiences for children, and for teachers and parents as well..”
Fellow educators, where are you in your understanding of literacy practices?
Freire, P. (1985). Reading the World and Reading the Word: An Interview with Paulo Freire. Language Arts, 62(1), 15–21.
Embracing Multimodality: Experiencing Stories in Virtual Learning Environments
Storytelling can be performed through different media and with different purposes and is considered the oldest form of education. Similarly, virtual learning experiences can be performed through different media and with different purposes, and it is regarded as the newest form of education. Nowadays, thanks to the unlimited possibilities at our disposal for communicating, we can develop, share and co-create storytelling on a multitude of online platforms. (Gomez-Diago, 2016) Storytelling and virtual learning experiences share commonalities including roots in the pursuit of social-emotional connection, building knowledge & understanding, entertaining, and creating that are informed by and experienced through multiple literacies. The inquiry questions guiding this literature review are:
What are the possibilities for actively experiencing stories?
In what ways do young children demonstrate their competency, curiosity and desire for connection in virtual learning contexts? How can educators and families support this?
How do issues of equitable access to technology & technological skills, and teacher training impact children’s experiences with stories and virtual learning environments?
I am a 39 year-old white, able-bodied, English-speaking, middle class, heterosexual, cis-gender female. I am a Yoga practitioner influenced by the natural world, along with spiritual and physical practices and stories rooted in Yogic traditions. In a professional capacity, I identify as an independent virtual early childhood educator, Yoga instructor, graduate student, small business owner and artist. My professional identity as an educator is rooted in curiosity, creativity and compassion; these are qualities that also make up my personal identity. I believe that stories, in all forms, are valuable tools for nurturing connections with people and ideas. My privileges- particularly around socio-economic status, physical ability, job classification and education- provide a safe space to participate in opportunities for growth and reflection. This feeling of safety affords me the ability to focus and freely experiment with new approaches and ideas- things that are crucial in my teaching practice. In my action research I’m exploring ways of realizing Reggio-inspired teaching practices in the all-virtual learning environment of Outschool. Within this exploration I am observing how children ages 3-6 naturally engage in storytelling and story acting, and how these activities utilize and enhance multiple literacies.
Review of Literature
The review of literature presented in this paper explores connections between stories and virtual learning environments, through the lens of multimodality, while considering the ways in which nurturing multiple literacies fosters active, empowered engagement with stories and tech-enabled learning environments. Research indicates a growing awareness in the field of Early Childhood Education (ECE) of the role of multiple literacies in young children’s learning, yet there appears to be a divide in how literacies beyond reading and writing are valued and encountered in early childhood contexts. Although virtual ECE learning environments are an emerging subfield of ECE and largely under-researched, this paper offers an exploration of media, technological and digital literacies as it relates to children, family and educator engagement with technology-enabled learning environments.
Multimodality in Early Childhood Education
According to the Oxford Reference, multimodality is the use of more than one semiotic mode in meaning-making, communication, and representation generally, or in a specific situation. Such modes include all forms of verbal, nonverbal, and contextual communication. Multimodal literacy refers to awareness and effective use of this range of modalities. This research paper examines multimodality as it relates to building connections- cognitively, socially and emotionally- through active participation in exploration of stories and virtual learning experiences.
Historically, literacy has meant giving meaning to and getting meaning from printed text. However, sociocultural research has emphasized action and multimodality (Kress, 2011), when considering literacy skills and the ways we make meaning through sensory modes like image, gaze, talk, movement, sound, and sound effects. (Wessel-Powell, Kargin & Wohlwend, 2016). In spite of this, in many learning contexts, children’s literacy abilities are assessed solely based on what they can write on paper, overlooking the dynamic ways children convey meaning through multiple communication modes like sound effects, gesture, movement, images, and language in their storytelling.
The literature also recognizes play as an important literacy and suggests that a multimodal emphasis in teaching and assessment more closely matches the ways children learn and make meaning in their everyday lives. (Wessel-Powell,Kargin,& Wohlwend 2016)
Research indicates that the shift to online learning during the COVID-19 pandemic inspired more ECE educators to focus attention on multimodal communication; namely in the actions of children that occur during live video conferences including sound, gesture, movement and images. For some educators this meant honoring children’s desire to move away from the screen during interactive virtual sessions, similar to the way they honor a child’s decision to choose a certain area to explore in the physical classroom. The sudden shift to online learning also illuminated challenges faced by families who did not have prior knowledge or training in ways of effectively supporting children’s multimodal communication and multiple literacies at home.
Active, Multimodal Engagement with Stories and Learning Environments
Children’s flexibility in using different semiotic modes in their meaning-making process facilitates social, emotional, and cognitive development (Dooley and Matthews 2009; Kress 2009). When considering factors within and contributing to children’s learning experiences it is vital to acknowledge that children are far from passive recipients, or that only one ‘literacy’ exists (Daniels 2016). This directly relates to the quality of children’s experiences with stories and virtual learning. The literature suggests the importance of valuing young children’s voices as storytellers and creating a fluid and dynamic literacy atmosphere where young children explore their voice in exciting, intriguing, and multimodal ways (Jung Kim, Hachey 2020). Storytelling and story acting exist in both physical and virtual learning contexts; in both contexts experiences with these are enhanced when educators recognize the value of children’s multimodal strategies for expression and meaning making.
Critical literacy practices such as counter storytelling offer one such path to active multimodal engagement with stories. In Kim and Hachey’s 2020 study on the topic of engaging preschoolers with critical literacy through counter‐storytelling they note,
By having children participate in guided discussion and creation of their own stories, early childhood teachers can help children expand perspectives to allow the viewing of typical events in atypical ways. Thus, it is important that, when early childhood teachers involve young children in counter-storytelling activities, they create a fluid and multifaceted space where young children freely share their ideas. It is also crucial that they understand the transformative power of telling a story that reflects one’s own experiences, and acknowledge the “funds of knowledge” that preschoolers bring to a literacy learning experience [i.e., the prior knowledge young children already have because of their roles in their families, communities, and cultures] (Gonzalez et al. 2005).(p.643)
Digital Literacy and Stories
Another path to active, multimodal engagement with stories is the practice of creating and/or experiencing digital stories. This path can also be successfully realized in a physical or virtual learning environment with the support of technology and related literacies. Children have the capacity to be active, empowered protagonists in their relationships with modern technologies. In my action research, alongside children ages 3-6 in the virtual classroom, children engage with stories in the following ways: drawing and verbalizing details related to the action and/or characters within the drawing; telling stories about events, people or things; discussing books or stories through a critical literacy lens; and contributing ideas, words and drawings to class story projects.
In this era of technology-enabled communication through smartphones, tablets, computers, video conferencing and the internet, considering the ways in which young children naturally engage in multimodal communication is perhaps more important than ever. Skills under the umbrella of digital literacy, a phrase sometimes employed to encompass both technology and media literacy, are of particular interest within this research. Many thinkers regard digital, media and technological literacies, along with social-emotional literacies, among the most necessary skills for successful communication and understanding in contemporary personal, professional and academic relationships. Couros (2021) states, “If technology was used to encourage social learning, foster collaboration, and nurture creativity in the classroom, I believe more people would be excited about and supportive of technology in education.” As noted in the National Association for the Education of Young Children (NAEYC ) and Fred Rogers Center Position Statement on Technology and Interactive Media in Early Childhood Programs, “When used intentionally and appropriately, technology and interactive media are effective tools to support learning and development.”
With greater availability and accessibility of digital technology, the screen now takes a central place in public communications and increasingly in educational settings, changing the ways in which reading and writing are understood. (Bearne 2009) Even before the global shift to virtual learning, trends indicated that digital technologies are changing the literacy practices being developed by children. By employing sophisticated transmedia navigation skills, learners of all ages are able to create digital texts that feature drawing, writing, animation, and sound. (Husbye, Buchholz,Coggin, Powell & Wohlwend 2012) Jenkins (2006) explains transmedia navigation as ‘the ability to follow the flow of stories and information across multiple modalities… Transmedia stories at the most basic level are stories told across multiple media’.
Malaguzzi emphasized the symbolic, haptic and emotional potential for building relationships through technological play and viewed computer literacy as just another of the hundred languages of children. He saw potential for children’s self-awareness, pleasure and gratification in learning how to manipulate, respond to and communicate with computers (Malaguzzi 2012).
Along with an increasing role of digital technology in children’s lives, comes the call for literacy development that extends beyond the traditional areas of reading and writing. Digital literacy involves a complex set of component skills that include the ability to identify, understand, interpret, create, and communicate texts that are written, printed and digital (Eshet 2012).
The digital tools needed for digital storytelling—computers, smart phones, audio capture devices—have become more accessible (Maureen, van der Meij & de Jong, 2020) for many; the combination of oral storytelling with audio, images, and various digital tools has led to what is now called digital storytelling (Barber 2016). Robin (2008) asserts:.
Digital storytelling means using technology properly to tell a story. To create a digitized story, designers should pay special attention to personalization. Digital storytelling should adopt a specific point of view, contain a dramatic question, and have emotional content to personalize the content of the story. Moreover, in digital storytelling the gift of voice, power of soundtrack, economy, and pacing need to be attended to in design to personalize the delivery of the story. All together, these make up the seven elements or features of digital storytelling.
Play and Stories
When storytelling is combined with play-based activities, it has the potential to nurture multiple literacies, including digital. The literature shows that frameworks offering a blend of structured instruction with storytelling and play-based activities, both in oral and digital forms, effectively support children’s literacy and digital literacy development (Maureen, van der Meij & de Jong, 2020).
Virtual Learning Environments
In 2020 the COVID-19 pandemic moved thousands of children and educators to virtual learning environments, largely guided by schools and educators without defined plans for presentation of content or strategies for engagement. While this is an emerging area of research, the literature indicates that during this time many educators embraced the opportunity to innovate and transform existing ECE strategies, including exploration of stories and consideration of multiple literacies, for the virtual space.
It is important to note that many educators and families struggle to find harmony and empowered engagement in virtual learning environments. Research indicates this primarily relates to issues of access to functional technological tools and/or skills, and reliable internet for children, families and teachers; as well as issues of access to technical skills training and online teaching experience for teachers (Szente 2020, Hu 2021) and social-emotional concerns for children and adults. Szente’s 2020 study of live Zoom instructional lessons with toddlers and preschoolers resulted in findings related to the quality of engagement, noting the effects of group size, “When there were more than 10-15 students in the preschool meeting, children had fewer turns, were less actively engaged, and seemed to be losing their interest in the activities sooner.”
Play and Technology
The literature recognizes that the separation of play and technologies in ECE persists despite rapid advances in the pace of digitisation in post-industrial societies (Hobbs 2010) and the consequent need for young children to develop ‘new’ skills in reading, navigating and participating in highly digitally-mediated environments (Bittman et al. 2011). Current questions around the quality of virtual ECE learning experiences suggests that new ways of thinking about play and technology are needed to address the gap between pedagogical perspectives on play and the use of technologies in ECE so that ECE is better equipped to support children’s learning.
Considering the evolution of technology, along with the evolution of learning environments, the historically-dynamic relationship between knowledge, tools and development means that generational knowledge creates tools that result in different developmental contexts for the enactment of children’s play (Rogoff 2003). Edwards (2013) relates this the digital revolution, and adaptation of scientific knowledge serving to reconfigure available cultural tools, including the availability of digital technologies, media and different forms of communication for young children. Edwards (2013) notes how this potentially necessitated new forms of development and hence newly emerging types of play.
Children’s literacies evolve alongside the dynamic relationships between knowledge, tools and development and their play is an indication of this evolution. Contemporary research illuminates this by noting how children play technology-enabled learning environments, such as Zoom, in ways that include exuberantly experimenting with 1.) the camera on their Zoom device in ways that include altering the angle & placement, their distance from it & their placement in the frame, modifying the distance between it and objects, turning camera on & off 2.) the microphone on their Zoom devices including distance from it, volume, capturing the sound of objects 3.) annotation functions including text, emoji and drawing tools 4.) virtual backgrounds.
The quality of experiences in any learning environment correlates with how the space is designed and met by the participants. Educational space has been recognized as highly impactful on learning outcomes. Burnett (2013) suggests that teachers’ and learners’ experience of space, the activities they engage in, and the discourses that pattern those activities all help to create the quality of those spaces. Space here is seen as socially produced by the people that inhabit that space (Daniels 2016). Tech-enabled learning environments exist in physical and virtual spaces, including synchronous and asynchronous interaction, and all depend heavily on the skills of educators and accessibility considerations for children and families.
The literature indicates that, regardless of the quality or style of experience, in all iterations of virtual learning environments the goals of building multiple literacy skills and community are present, and stories are often at the core of these efforts. (Szente 2020, Hatch 2021, Hu 2021)
Social-emotional Literacy and Stories
Healthy social-emotional development is promoted by building a safe, secure and respectful environment in an early childhood setting with positive and consistent relationships among adults, children, and their peers (Wright, Diener, & Kemp 2013). These relationships exist in virtual and in-person learning environments and hold deep value, regardless of the spatial characteristics of the context.
Stories function as tools for fostering connections with people, concepts, place and skills; studies indicate that storytelling dramas provide opportunities to build community within the context of early childhood classrooms. Results from one such study showed that the storytelling drama activity provided opportunities to promote community building through four emerging themes: (1) individual roles, (2) group membership, (3) inclusion, and (4) relationship building. (Wright, Diener, & Kemp 2013) Karjalainen (2019) explores the connections between social-emotional literacies and stories, centering the reflection around shared experiences of joy:
Joyful moments in ECE settings are considered to be relationally lived and co-narrated everyday narratives connected to broader cultural, social, familial and institutional narratives. Everyday narratives offer multiple insights into the shared moments of joy among teachers and children in ECE settings. Everyday narratives do not emerge from nowhere; instead, teachers and children actively narrate joy in multiple ways and in relationship with each other.(p.141)
Equitable Access and Empowered Engagement
Similar barriers exist around opportunities for empowered engagement with stories and virtual learning, apparently stemming from how multimodal communication strategies are embraced or excluded by teachers, or adults connected to these learning experiences. Research suggests that some early childhood teachers do not incorporate opportunities that encourage active, empowered participation, such as counter-storytelling, as a literacy instruction resource in their classrooms, primarily due to their own lack of experience and knowledge of counter-storytelling strategies (Kim, Hachey 2021). Similarly, lack of experience and knowledge along with barriers to access to technology, also drives why some educators feel uncomfortable implementing virtual learning experiences.
The benefits of using technology, for children and society, include opportunities for innovation, creativity, and conceptual and social connection. When technology is intentionally included in learning experiences, these opportunities emerge and expand. Intention includes an openness to experimentation, as Vecchi (2012) states, “The digital experience is much too often exhausted simply in its functional and technical form. However, in addition to its technical aspect, if it is also used in creative and imaginative ways, it reveals a high level of expressive cognitive, and social potentials as well as great possibilities for evolution.”
Considering the above-mentioned realities within the question of how can educators embrace multimodality as it relates to experiencing stories in virtual learning environments, it seems the bigger question is how can schools support educators in their understanding of and relationship with digital literacies?
According to NAEYC and the Fred Rogers Center’s 2012 position statement, “Early childhood educators need training, professional development opportunities, and examples of successful practice to develop the technology and media knowledge, skills, and experience needed to meet the expectations set forth in this statement.” This remains true in 2021. The 2012 position statement offers guidance around technology and interactive media as tools for children from birth through age eight; “When the integration of technology and interactive media in early childhood programs is built upon solid developmental foundations, and early childhood professionals are aware of both the challenges and the opportunities, educators are positioned to improve program quality by intentionally leveraging the potential of technology and media for the benefit of every child.”
The International Society for Technology in Education (ISTE) released Technology Standards for Students in 2016 that emphasizes the ways technology can be used to enhance and transform learning and teaching. ISTE champions teacher education and recently offered a free resource for online k-12 educators that includes guidance for “making learning accessible, using tech tools to teach online, exploring issues such as equity, digital literacy, and more.” These offerings are flanked by sections that encourage “creativity, well-being and Mindfulness.” The guidebook notes,. “Digital storytelling offers a way for students to make something unique and authentic to represent their understanding of the content material. Empowering today’s learners to make decisions about the means to communicate this information back to us is important for them in developing critical future-ready skills. Relatedly, digital storytelling provides opportunities to address such ISTE Standards for Students as Creative Communicator, Computational Thinker, and Innovative Designer.” (McNamara p.101)
There are notable similarities between stories and virtual learning; namely the implications for learning related to the quality of engagement, and potential to foster connections and nurture multimodal communication and multiple literacies. In relation to engagement and empowered use of technology Courous notes, “There is a strong difference between “engaging” a student and “empowering” them. “Engagement” to me, seems like something that we often try to provide for our students, yet “empowerment” seems to be focusing on having students provide for themselves.” Courous goes on to assert the importance of the role of the educator in this equation, “ If we can develop meaningful learning opportunities that empower our students to make a difference, our impact will go beyond their time they spent in our classrooms. Technology alone will never provide this. We need great educators that think differently about the opportunities we now have in our world and will take advantage of what we have in front of us, and help to create these experiences for our students to do something powerful.”
The literature on the topics of active engagement with multimodal communication strategies in relation to stories and virtual learning indicates that learning experiences are impacted by issues of equitable access to technology (including devices, related skills, internet access), teacher proficiencies and teacher training. “Children are both consumers, creators and distributors of media, tools and technology. As such, very young children are not becoming people – they are people.” (Alper 2011 p.188) As people, young children have a right to engage in contemporary literacies, and thus the right to be supported by educators who are capable and competent in these skills.
Although preschools historically had barriers to integrating technologies into their teaching due to the insufficient technological resources, school support,personal experience and pedagogical skills (Hu & Yelland, 2017; Plowman et al.,2010) the online teaching experiences stemming from the COVID-19 pandemic may change school vision of technology integration for young children based on experience and feedback (Hu 2021). This intensive period of adopting technologies in preschools has forced changes in the preschool culture and technology integration approaches and EC educators answered the call while keeping children’s wellbeing and learning at heart (Hu 2021, Mahoney 2021). Hence, the consideration of children’s active learning and support for parents, educators and schools is essential for creating viable online and technology-enabled learning experiences. (Hu 2021)
Literature indicates that when virtual learning experiences are presented by educators who maintain a positive, encouraging, supportive and solution-oriented mindset; and when children have a strong support network, young children are able to interact, articulate their ideas and thoughts, make suggestions, develop preferences, and participate in decision-making virtually (Mahoney 2021).
Considering the abundance of existing demands on educators, further research is needed to determine what type of training is best for supporting early childhood educators’ learning about integrating practices that encourage empowered engagement, particularly as it relates to digital literacies and critical literacy. Furthermore, what are the possibilities for incorporating interactive virtual learning tools in ECE moving forward?
The ‘democratization of documentation’ described by Forman (2012) speaks to positive impacts of technology on society. The enhanced visibility of children’s learning and the work being done by Early Childhood Educators, including supporting empowered engagement with multiple literacies, is more easily shared because of technology. When educators model and facilitate active, empowered use of technology and related literacies this has the potential to carry into the children’s home lives, and hopefully inspire an empowered, lifelong learner mindset for all.
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Looking for a peaceful & unique at-home / after-school activity for children & tweens? I love these classes for many reasons, and as I parent I’m particularly impressed by the freedoms afforded by virtual classes… you don’t have to leave the house AND you can get other things done while your child is in class Another advantage is you can also participate in these classes alongside your child (as long as you remain off-camera, per Outschool policy ).
My approach to sharing Yogic practices is best described as heart-centered, inclusive and considerate. Honoring the roots and branches of Yogic traditions is very important to me as a practitioner and educator. I strive to teach in a way that encourages unique expression, is ABAR and grounded in the belief that there is no “one right way” to practice.
Excited to add my voice to the chorus of bold Early Childhood Educators by way of my first published article in Exchange Magazine. This issue is all about Reggio-inspired practices in diverse contexts and illustrates just how dynamic the possibilities for innovative, high-quality early childhood education are.
Watching a hurricane form, approach, make landfall and subsequently destroy places you love is never easy. Watching this all happen from over 1000 miles away is its own special version of difficult (but obviously not anywhere near as difficult as being in it. For that privilege I am both grateful and humbled.). When I made the choice to move away from Louisiana I knew it would be challenging in a lot of ways, but I didn’t anticipate the feelings of helplessness that would come with not always being able to return to help after times of crisis like these. I’ve listed some artwork for sale HERE and if this speaks to you in any way please support/ respond however it makes sense for you.
There are SO MANY people doing AMAZING things to help in South Louisiana right now. Many of these people experienced damage to their own homes and businesses, but without skipping a beat they marched into action helping those who lost EVERYTHING. If you’ve ever visited South Louisiana in the summer, then you know how difficult it is to stay cool. It’s a beautiful place, but the high humidity and temperatures are not the most conducive to feelings of easeful relaxation (or just daily tasks). Now imagine being in that heat & humidity with no respite from the heat….that’s what’s happening to thousands of people right now….approaching two weeks WITHOUT POWER, and in many places, without water or even a house. If you’re privileged like I am to witness all this from the safety and comfort of your home, I ask that you take a minute to consider what it would be like to witness this type of disaster from outside of these protections.
Please support in any way you can. Here are some trustworthy relief efforts that will continue to need our help in the days/ weeks/ months ahead:
This summer I moved from New Orleans to Santa Fe; a move that is inspiring many new ideas and ways of being, including a new iteration of my business as Curious Bluebird, LLC. Bluebird is a name I chose fifteen years ago because I was drawn to the symbolism of the bluebird- happiness, hope, renewal, knowledge, enlightenment- and I still think it’s a good way to describe my work. It wasn’t surprising that the name Bluebird was already taken (according the New Mexico SOS), so when I started thinking about how to update my existing business name into something that still felt meaningful I arrived at this. The addition of the word curious is incredibly fitting at this point in my career- I’m beginning my second year of grad school and second year of work as an independent educator. I’m eager to gain and share knowledge AND a lot of the time I feel as though my approach to Early Childhood Education is a bit unusual (considering how virtual delivery of Reggio & Yoga-inspired practices isn’t super common- for a variety of good reasons…to be explored later…). Nevertheless, I’m curious about where this path will lead, I’m excited to share the journey with children, families & fellow educators and I’m open to possibilities (including the possibility that I don’t know where it will lead!).
Recently I designed and led an end-of-the-year ceremony for the faculty & staff of the Louise S. McGehee School here in New Orleans. The ceremony centered around Yoga-inspired practices (movement, meditation, breath-work, music, art, singing & ritual) focusing on Renewal & Release. This theme was informed by many things, including the dualistic qualities of water – flowing/stagnant, creative/destructive, nurturing/overpowering, etc. Through the process of planning for this ceremony I also began to consider the many ways that water qualities show up in my life and work. My career path is much like a river- sometimes rushing, sometime easeful, but always flowing towards some unseen destination, trusting the unseen slope of land leading it to the sea (akin to what John O’Donohue describes in his poem In Praise of Water) I’ve poured my heart & mind into so many paths/interests/skills along the way- documentary & video art production, performance (dance, video), teaching (art, Yoga, Early Childhood Ed.), non-profit administration, visual art, digital media- and they may seem disjointed and “floundering” when viewed on paper or viewed from the outside…but when considered as tributaries these elements form a powerful, intentional river.
Something that keeps all of these elements connected is holding an image of my inner child in mind – doing this helps me to recall and act upon what brought joy then and what brings joy now. My interest in creating, sharing stories, learning alongside people of all ages, building experiences and experimenting is just as strong now as it was when I was a young child. This connection to joyful sources strengthens my confidence in the unique process of creating a river of experience and action. It encourages me to invite others to take part in my river- be it through watching it go by, wading through it, rafting down it, boating across it or merging paths.
What informs your river of work? What is your inner child telling you…and are you listening?
Not only do I love participating in Yoga & Reggio-inspired learning experiences with children, but I also value sharing my skills and experiences with these approaches with fellow educators and caregivers. Taking some time during my semester break to focus on growing the audience for one of my favorite workshops, “Mindfulness & Yoga for Early Childhood Educators”, and sharing widely in hopes of making some new connections. The workshop offers practical, research-based tools for fostering Supportive Relationships & Wellness in Early Childhood Programs. It features content inspired by my work as an Early Childhood Educator and Children’s Yoga Instructor (i.e. theories & ideas I’ve actually put into practice in both in-person and virtual contexts). I’m certified to provide professional development hours for Early Childhood Educators in Louisiana through the Louisiana Pathways Career Development System and set up to provide all required paperwork for verifying PD hours. Now booking for the Summer and Fall, let’s connect!
This training can be realized as interactive virtual (Zoom) & in-person (available beginning Fall 2021) . Either iteration of the workshop includes:
Overview & embodied explorations of Mindfulness & Yoga practices
Neuroscientific benefits of Mindfulness & Yoga practices for children & adults
Developmentally-appropriate Mindfulness & Yoga practices for young children
Ideas for incorporating Mindfulness into the design & implementation of early childhood environments and routines
A teacher, in any educational context, is a compassionate learning partner who skillfully engages in dynamic practices that enrich lives. The image of the teacher as a person who holds power above children and families is one that we need to discard permanently in order to advocate for a strong image of the child and innovative practices in Early Childhood Education. I believe the role of the teacher is rooted in love, respect, creativity and a desire to facilitate authentic connections between people and concepts. These include emotional, intellectual and creative connections between participants (children, educators & families) and technology, materials, the community and nature. It is a dynamic, deeply reflective role informed by an image of the child as capable and competent.
At one time I’d say “I may teach three year olds, but that doesn’t mean I have the intellect of a three year old” in defense of my work as an Early Childhood Educator. I now see this phrase as a disservice to efforts around advocating for an image of the child as a capable, competent protagonist in their learning experiences. Young children are brilliant and this brilliance should only serve to elevate the role of Early Childhood Educators and support a strong image of the child.
As Malaguzzi states, the role of the teacher is “complex, multifaceted, and necessarily fluid, responsive to the changing times and needs of children, families and society.” (p.148) In my circle of family and friends, I find the role of the teacher is largely regarded as a knowledgeable guide who embodies compassion and love. These considerations are inspiring, yet I believe many people -policymakers in particular- devalue the role of the teacher because they devalue women and children. Early Childhood Educators are typically women and among the lowest paid of all educators; this indicates that the role is perceived as passive, unskilled and unimportant. In a recent New York Times article about how the pandemic illuminated the need for childcare it was noted that “mainstream economists, mostly men, had argued that child care or other care work was something women did purely out of love, impossible to think about as an economic issue….“It’s women’s natural inclination or moral duty to do it,” Dr. Folbre said”. While this article doesn’t exactly make the argument that the role of the teachers is one of value, beyond providing a service that enables more women to work, it at least makes the case for one of the reasons why early childhood education is important. I’m hopeful this realization, along with President Biden’s efforts to provide universal preschool and affordable childcare, will help to bring more attention to the voices of those working to elevate the field of ECE.
I’m inspired by the phrases used by Reggio-inspired educators to describe the role of the teacher. As stated by Fraswer and Gestwicki, and quoted by Edwards, the role includes “co-constructor of knowledge, creator of environments as third teachers, exchanger of understanding, supporter of the competent child, documenter & researcher, partner with parents, listener, provocateur and negotiator of meaning.”(p.149) I also see the role as one that embodies intentional, mindful ways of being with the world and ourselves; these elements are some of the most powerful since they are necessary for every aspect of life.
I think the challenges with regard to how the role of the teacher is perceived largely have to do with issues of how women and children are perceived and thus valued. Society should view the role of the teacher as one worthy of respect and one that is connected to and influences the world beyond the classroom. I agree with Rinaldi’s statement regarding society’s “moral obligation to invest in education”(p.153) and I believe teachers should “take the attitude of researcher and listener” (p. 183) and commit to the practices of observation, documentation, reflection and constructive criticism of our ways of working so we can not only do what’s best for participants in our contexts, but also the entire field of Early Childhood Education. Considering how the role of the teacher relates to contemporary society, I agree with Gambetti that “We have a responsibility to continue moving forward and to evolve by keeping in step with a changing society.” “We owe this to children, ourselves, our community and society.” (p. 180)
There’s work to be done in elevating the image of the Early Childhood Educator, but I’m hopeful the field will experience positive changes as more people engage with innovative ECE practices, self reflection, and authentic connection with caregivers and fellow educators.
Edwards, C., Gambetti, A., Malaguzzi, L., Rinaldi, C. (2012). The Hundred Languages of Children: The Reggio Emilia Experience in Transformation. Third Edition. (p.148, 149, 153, 180, 183) Santa Barbara, CA: Praeger.